Make to Care è nato nel 2016 proprio dalla collaborazione con Maker Faire Rome che da subito ha accolto con entusiasmo la nostra volontà di raccogliere idee che potessero migliorare il quotidiano di chi con coraggio affronta una qualche forma di disabilità. Idee che nascono fuori dai contesti classici dell’innovazione. Negli anni, insieme, abbiamo raccolto centinaia di progetti e prototipi, abbiamo dato voce a spunti davvero rivoluzionari, intercettando, mappando e alimentando l’ecosistema della Patient-driven-Innovation.
Exhibitors 2020
- CULTURAL HERITAGE
- AEROSPACE
- ARTIFICIAL INTELLIGENCE
- DRONES
- EDUCATION
- ENERGY & SUSTAINABILITY
- FOOD & AGRICULTURE
- HOME AUTOMATION
- INTERNET OF THINGS
- KIDS & EDUCATION
- NEW MANUFACTURING
- OPEN SOURCE
- RECYCLING & UPCYCLING
- ROBOTICS
- SCIENCE
- 3D PRINTING
- ART
- ARTISANS & NEW CRAFT
- BIOLOGY
- FABRICATION
- GAMES
- HACKS
- STEAM PUNK
- WELLNESS & HEALTHCARE
- YOUNG MAKERS (< 18)
- 3D SCANNING
- MUSIC & SOUND
- FASHION & WEARABLES
Gioielli upcycling per un’estetica responsabile.
Passion, research and dedication. These are the words that best describe Giulia Boccafogli’s approach to her creations: contemporary jewels entirely handmade with refined unused stock leather.
Jewels that seem to come from a submerged imagination made of ink and deep dimmed lights, or from a secret garden that only exists from sunset to dawn .
A style in between modern decadence and tribal art, in which the concept of "accessory" seems to vanish, leaving room to the idea of ornament as a protagonist.
All processes, which she has developed personally and in a non-academic way, require a high level of craftsmanship.
Italy
Altaroma - Giulia Boccafogli
Giulia Boccafogli was born in Bologna in 1980. After graduating in Architecture, she started working as an architect but, at the same time, for years she nurtured her passion for jewelry and accessories.
Over time, thanks to her experience and her early use of the web, she managed to transform this passion into her main activity. What certainly characterizes her collections is the search for inspiration and the ensuing technical experimentation.
All processes, which she has developed personally and in a non-academic way, require a high level of craftsmanship. Her will is to pursue the total purity of material and to only use top-quality unused stock leather to create a structure, a soul and a decoration. Briefly, a leather jewel. Each collection tells an evocative story with two levels of interpretation: an intimate and personal one that draws on the designer’s experience, and a more cultivated and neutral one, influenced by traveling, reading, cinema and art. The production is entirely handmade in her atelier, which allows her to customize each order and to personally follow all customers.
Life