The Fondazione Luca e Katia Tomassini was created in 2017 by Luca Tomassini and Katia Sagrafena to stimulate the self-entrepreneurship of young people by promoting projects of convergence between digital culture, artificial intelligence, literature, art, music. It promotes and carries out studies and conferences, analyzes and experiments in the educational field, in an interdisciplinary perspective and with digital methodologies. It operates in Orvieto without ever losing sight of the European and global context. He is active in the technological and cultural debate to help understand the changes in Italian society in support of the growth of young people.

Vincenzo Marsiglia (Belvedere Marittimo, 1972) is graduated in painting at the Brera Academy in Milan. He is a multimedia artist who has long identified his distinctive sign in the four-pointed star, a simple graphic symbol called Marsiglia Unit. The artist always uses this symbol through different techniques to experiment with his formal and meaningful possibilities in sculpture, painting, interactive and immersive installations created using technological and digital means. In his latest works, the need to find a convergence between natural and artificial, real and virtual emerges more and more. He is elaborating a critical reflection on the current world looking at the technological future with optimism. Recent exhibitions and personal projects include: Vincenzo Marsiglia. Interaction Shapes, curated by Ilaria Bignotti and Walter Bonomi, Iaga - International Art Gallery Angels, Cluj Napoca, Romania (2014); Dopo-Logica/o, curated by Matteo Galbiati, Palazzo Ducale and Teatro all'Antica Sabbioneta, Mantua (2016); Digital Antica, curated by Mario Nardo, Sant’Eustachio Abbey, Nervesa della Battaglia (2019); Art & Design, curated by Serena Cassissa and Andrea Castrignano, Spazio Andrea Castrignano, Milan (2020); Biennale Light Art, curated by Vittorio Erlindo and Gisella Gellini, Casa del Mantegna, Mantua (2020); Three Rooms' Exhibition, curated by Milena Becci, Traffic Gallery, Bergamo (2020); La città ideale, curated by Beatrice Audrito and Davide Sarchioni, Mirandola (2020); Buonanotte Contemporanea. Marsiglia, Artan, Pignatelli, curated by Maria Letizia Paiato, Montebello sul Sangro (2020); Cercles, Galerie Wagner, Paris (2020).

Davide Sarchioni (Orvieto, 1979) is an Italian art curator, consultant and art historian. He is curator of the art projects at the Fondazione Luca e Katia Tomassini in Orvieto - IT. He graduated in Contemporary Art with Enrico Crispolti at the University of Siena. Since 2005 he has been a curator and consultant for public and private institutions, museums, foundations, art galleries in Italy and abroad, curating several exhibitions, collections, books and art catalogues. He worked with Italian and international artists, both established and emerging. From 2010 to 2014 he collaborated with the Museum am Dom (MAD) in Würzburg, curating exhibitions and art projects by important Italian and German artists. He is art consultant and curator of the Il Frantoio Association in Capalbio. In 2015 he is co-founder of the TerraMedia and LaDi Art project. He lectured in various Italian and international institutions. He has been contributor for some art magazines such as Exibart and Rivista Segno and he published essays, catalogs and monographs with various publishers including SKIRA, Gangemi, Gli Ori, Bandecchi & Vivaldi, Broecking Art Edition.

Davide Silvioli is a contemporary art critic and curated exhibitions for art galleries, independent and institutional spaces. He took part in projects promoted by Paratissima, the MAXXI Museum and the Swiss Institute. He lectured in Italy and abroad. His texts and research are published in catalogs, art magazines, monographs and gallery editions. He is curator of artist archives, contributor for specialized magazines and press offices. He collaborates with foundations, public museums, publishers and universities on research and curatorial projects.