The work reflects, with all its impetuousness, the ability to represent the most tragic side of the wars summarized in Picasso’s Guernica. Increasingly, because of its multidimensionality, it allows to associate an experiential fruition that transfers even more drama, with the crossing and interaction with the work.
The woman coming out the window, the muzzles of the horse and the bull, the woman with the dying baby and the soldier’s open arms. The repetition of a dramatic event, the war, leads to emptying forms: full bodies disappear and only the skeletons of pain remain. The use of recycling, iron and rust in Guernica 59, is a technique used by the artist to express a provocative message and breaking with the dominant artistic view about consumerism.